Original review submitted to Theatre Haus for volunteership
Jonathan Larsons, “Rent” chronicles a year in the life of a group of friends living in Alphabet City, on the Lower East Side of New York City circa 1996. Larson’s production introduces the audience to a range of complex individuals amongst this friend group.
The Australian Tour of this renowned show, featuring beloved tunes like “Seasons of Love” and “Take Me or Leave Me,” moved the audience throughout the recent Melbourne performance. I often feel a sense of apprehension when attending highly acclaimed shows, fearing disappointment. Yet, this production of “Rent” exceeded all expectations.
Noah Mullins embodied the loveable, geeky lead role of Mark with unparalleled authenticity, as if the role were tailor-made for them. Mullins’ performance left an indelible impression, characterised by his sharp wit and remarkable ability to connect the audience with the narrative.
The standout moment of the entire show was undoubtedly Nike Afoa’s performance, with his rendition of the moving ballad, “I’ll Cover You,” leaving a permanent mark on my heart. Witnessing Afoa’s talent first hand filled me with a deep sense of gratitude, knowing that such a remarkable performer graced the stage. As Afoa delivered his powerful solo, accompanied by the company, the raw emotion in the theatre was palpable, with the gentle sound of the audience sobbing serving as a poignant echo to this unforgettable number.
The visually versatile and captivating set helped convey the audience to the essence of this period in New York. The primary set in the centre of the stage broke into 3 smaller parts, all able to be transported around by the cast. By doing this, the narrative was communicated very smoothly, because of the accessibility to alter environments on stage.
Ella Butler’s costume design stands out with its distinct and captivating essence. Her meticulous attention to detail, evident in both clothing and accessories, flawlessly embodies the spirit of ‘The vibrant, passionate bohemian community’. Noteworthy is Butler’s ability to craft tailored costumes for each character, effectively conveying their individual journeys. This thoughtful approach contributes to a visually satisfying aesthetic, highlighting Butler’s genuine dedication
Contrary to some saying act 1 was extremely long, it was one of the only productions that the thought of the upcoming interval didn’t cross my mind. It is safe to say, I didn’t want it to be over. However, as act 2 further explores Martha Berhanes exceptional performance of Mimi, I’m glad the show progressed. It was commendable yet confronting, as though the audience went through Mimi’s life themselves.
The Australian Tour of “Rent” is nothing short of spectacular, deserving plenty of praise. Yet, to encapsulate the essence of this unforgettable production, it’s akin to stepping into the visionary world of Jonathan Larson himself—an exhilarating journey for every audience member. This rendition of “Rent” is an unmissable masterpiece, a testament to the enduring brilliance of Larson’s imagination.